A portrait of Giorgi Rodionov indoors. He wears a black T-shirt and a dark beanie, with his hands loosely folded. His gaze is directed attentively to the side. A black-and-white portrait of inherroom. She wears a patterned top over a sheer shirt and looks directly into the camera. Her hair is pulled back, with small decorative elements on her forehead and cheeks. A night-time shot of Symptom Error in motion. Wearing dark clothing and a striped suit, they stride dynamically across the frame. The scene is high-contrast, captured with flash. A portrait of Carmen Herold in front of a yellow ridged wall. She wears a sleeveless white top and looks calmly into the camera. Her arms rest loosely on her hips.
Giorgi Rodionov, inherroom, Symptom Error, Carmen Herold
Monday, 25.8.2025
18:20 – 19:20, Atelier 1
Free entry!

»Sonic Crossings« – A Conversation about Pop, Belonging, and Musical Transgressions (EN)

Giorgi Rodionov, Nazrin Mammadova aka inherroom, Symptom Error, Carmen Herold (Mod.)

A collaboration between Pop-Kultur Festival Berlin, the music department of the Goethe-Institut, and Goethe-Institut in Exile

What does it mean to think sound at the edges of borders – or beyond them?
Sonic Crossings marks the launch of a collaborative project that seeks not to reduce pop and pop music to a single narrative, but to open them up – to a plurality of artists, experiences, and sonic worlds that may be geographically rooted but resist simple national categorisation.
The first edition focuses on musicians from the South Caucasus – Armenia, Azerbaijan, and Georgia. It‘s not about defining a »sound of the region«, but about individual musical practices that move between local expressions, global pop culture, and diasporic realities.

At the heart of the talk »Sonic Crossings« is a conversation with invited artists: members of the Armenian band Symptom Error and Azerbaijani sound artist Nazrin Mammadova. The panel also includes Giorgi Rodionov, a curator and cultural producer from Georgia.
This conversation sets the thematic stage for the participating artists’ musical performances at Pop-Kultur Festival 2025. How is »pop« understood in each local context – between festival stages in Berlin and performances in Yerevan, Baku, or Tbilisi? Where do unexpected connections arise – between genres, scenes, or lived diasporic experiences? What role do historical ruptures, archives, folk traditions, or the Soviet legacy play in the contemporary sound? And how can music become a space for self-location – beyond national definitions?
Crossings – geographic, aesthetic, biographical – are at the core of this conversation. The involvement of the Goethe-Institut in Exile highlights political contexts in which displacement, exile, and cultural relocation also reshape sonic environments.

Sonic Crossings asks how music crosses borders – and sometimes even makes them audible.

A portrait of Giorgi Rodionov indoors. He wears a black T-shirt and a dark beanie, with his hands loosely folded. His gaze is directed attentively to the side. A black-and-white portrait of inherroom. She wears a patterned top over a sheer shirt and looks directly into the camera. Her hair is pulled back, with small decorative elements on her forehead and cheeks. A night-time shot of Symptom Error in motion. Wearing dark clothing and a striped suit, they stride dynamically across the frame. The scene is high-contrast, captured with flash. A portrait of Carmen Herold in front of a yellow ridged wall. She wears a sleeveless white top and looks calmly into the camera. Her arms rest loosely on her hips.
Giorgi Rodionov, inherroom, Symptom Error, Carmen Herold