A black-and-white portrait of Bela Bender in front of a blurred rocky and water landscape. He wears a simple T-shirt and looks intently into the distance. The even light highlights the contrasts of his face. Jenny Kretzschmar stands smiling in front of a white wooden building with red windows. She wears a white T-shirt, a dark hoodie and a long necklace. Fallen autumn leaves cover the ground behind the fence. A frontal portrait of Juliane Streich against a reddish marbled wall. She wears a dark top, her long hair falling loosely over her shoulders. Her direct gaze into the camera appears calm and focused. Isabel Eißmann stands against a grey concrete wall. She wears a strapless black top and a delicate necklace. With her head slightly tilted, she smiles openly at the camera.
Bela Bender (Photo: Bela Bender) Jenny Kretzschmar (Photo: Chris Münster) Juliane Streich (Photo: Juliane Streich) Isabel Eißmann (Photo: Natalie Bleyl)
Friday, 29.8.2025
18:00 – 19:00, Museum in der Kulturbrauerei
Free entry!

»0371 callin‘ – Was macht Chemnitz als Kulturort besonders?« (DE)

Bela Bender, Isabel Eißmann, Jenny Kretzschmar, Juliane Streich (Mod.)

In 2025, Chemnitz – together with the border city of Nova Gorica/Gorizia – will be a European Capital of Culture. With this panel, we want to look beyond the attention economy that comes with the title and delve into the city’s deeper socio-cultural fabric.
While bands like Kraftklub, Blond and rapper Trettmann are making waves across Germany, Chemnitz can also point to distinctive, innovative pop-cultural phenomena: from the underground avant-garde band AG Geige in GDR times to exceptional artists like Carsten Nicolai or the media outlet Raster Media.
So what is the cultural substance of the city? How do cultural workers in Chemnitz navigate the specific local conditions? To what extent does the departure of creative actors to supposedly more attractive cities play a role? Where are the opportunities for exchange? Which strategies can help shape a more positive perception of Chemnitz beyond its borders? How can dialogue between different scenes succeed – and, on a lighter note, where exactly is Jan Böhmermann’s e-scooter now rolling around in Chemnitz?

A cooperation with enter – Young Cultural Region Chemnitz and Create.U – Young Culture made in Chemnitz

enter-Junge Kulturregion Chemnitz Create.U – Junge Kultur made in Chemnitz

A black-and-white portrait of Bela Bender in front of a blurred rocky and water landscape. He wears a simple T-shirt and looks intently into the distance. The even light highlights the contrasts of his face. Jenny Kretzschmar stands smiling in front of a white wooden building with red windows. She wears a white T-shirt, a dark hoodie and a long necklace. Fallen autumn leaves cover the ground behind the fence. A frontal portrait of Juliane Streich against a reddish marbled wall. She wears a dark top, her long hair falling loosely over her shoulders. Her direct gaze into the camera appears calm and focused. Isabel Eißmann stands against a grey concrete wall. She wears a strapless black top and a delicate necklace. With her head slightly tilted, she smiles openly at the camera.
Bela Bender (Photo: Bela Bender) Jenny Kretzschmar (Photo: Chris Münster) Juliane Streich (Photo: Juliane Streich) Isabel Eißmann (Photo: Natalie Bleyl)